10 Commits

Include renames

Author	SHA1	Message	Date
TudorandClaude Opus 5	eddf74745f	feat(home): swap in the higher-fidelity hero artwork ... Same 16:9 frame, but not a drop-in replacement — the composition, palette and copy area all moved, and each one drives a change here. COPY AREA The old artwork was a flat #FDF9F3 down its whole left side. This one runs peach #FEE8D2 at the top to cream #FDF3E7 around 43% height, and below ~48% the left edge is foliage rather than cream at all. --hero-ground is resampled to #FEF2E1, the middle of the pale run where the headline and search actually sit; the scrim covers the foliage further down. Measured on rendered pixels with the text hidden, sampling the real glyph runs (via Range, not the element boxes) plus a 120px growth margin: title body byline light 13.61:1 5.74:1 6.66:1 dark 9.49:1 5.45:1 8.35:1 Body drops from 6.52:1 to 5.74:1 as the foliage comes closer, still clear. BAND CROP The schoolhouse moved to ~82% across the frame, leaving only ~140px of artwork to its right, so the band crop is anchored to the right edge and takes 1344px back — putting the school at 73%, which the build script now derives and prints rather than leaving it to drift from the CSS. The crop is also 3.2:1 rather than matching the phone. The band is not one ratio: it runs 2.4:1 on a phone to about 3.8:1 under the one-column breakpoint. Cropping at the narrow end means the wide end throws away height, which cut the flag off the roof and the base off the building. Sitting above the middle costs a little width on phones — where the crop's left is hillside — and keeps the building whole where it matters. BAND HEIGHTS Raised to 13rem (861–860px) and 10rem (≤640px). The band was widest-per-height at exactly 640px, where an 8.5rem band measured 4.2:1 — worse than any wider viewport, because the height steps down at that breakpoint while the width does not. Ratios across the range are now 2.0 / 2.6 / 3.6 / 3.1 / 3.8 rather than spiking. The search still lands at 442px on a 667px viewport. WEIGHT Source is 3.1MB; a browser fetches one file — 29–59kB on desktop, 10–14kB on a phone. Widths re-cut for the larger master: 2000/1400/1000 wide, 1344/900/600 band. Verified: 0 AA failures across both themes at 1440 / 860 / 390, every srcset entry present on disk with no orphans, tsc clean, 159/159, build green. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>	2026-08-15 09:22:37 +01:00
TudorandClaude Opus 5	3f0e05cc99	feat(home): use the supplied hero artwork instead of a drawn one ... Replaces the hand-drawn SVG landscape with the illustration supplied by the project owner. Master is assets/hero-source.png; everything under public/brand/hero-* comes from scripts/build-hero-images.js and should never be hand-edited. LAYOUT The artwork is composed as a full-bleed hero: it reserves an empty cream area down its left side for the headline. The old hero was a two-column grid with art in the right 0.88fr, which would have cropped that reserved area off and shrunk the scene into a thumbnail — the one thing the picture is built not to be. So the panel is now a single layered block: artwork behind, copy on top, and below the one-column breakpoint the artwork leaves the background and becomes a band under the search. Overlaying does not survive down to phone widths — the panel gets too narrow for the copy to stay inside the cream, so the scrim would have to cover nearly the whole image and you would be left with a tinted rectangle. Hence the switch at 860px rather than a single treatment stretched across every width. CONTRAST The copy sits on a gradient of --hero-ground, a new token sampled from the artwork's own cream (#FDF9F3) rather than from Sand. Sand is eight to thirteen points darker per channel, which leaves a visible seam straight down the hero. The scrim exists because the artwork is a fixed image on a fluid panel: past some width the headline would otherwise land on hillside green. Measured on rendered pixels, sampling background up to 120px beyond the right edge of each line, so a longer line still has margin: light title 14.36:1 body 6.52:1 dark title 11.01:1 body 6.44:1 The worst light case is hillside green showing through the scrim at 6.52:1. TWO CROPS The slot is two shapes: roughly 2.1:1–2.7:1 behind the desktop panel, and 2.6:1–4.9:1 as the band. A single file under object-fit: cover centre-crops, and at the band's extreme that slices a strip through the scene and loses the schoolhouse — exactly how the drawn hero failed on phones. <picture> switches crop, not just resolution: the band file is pre-cropped around the school and is already near 2.6:1, with the subject at ~65% across so squeezing toward 4.9:1 crops the empty sides instead. WEIGHT 1.6 MB PNG in, AVIF and WebP out; a browser fetches exactly one file — about 23–33 kB on desktop, 9–18 kB on a phone. The JPEG is only the <img> fallback. `sizes` describes the real panel box (max-width 1400 minus padding) rather than 100vw, which over-requested a candidate at every width on the LCP element. DARK THEME A raster cannot be re-graded token by token the way the drawing was, but it would reproduce the same failure — a bright illustration is the brightest object on a near-black page. It is dimmed in CSS to read as dusk, and the scrim fades it into the dark panel rather than into cream. TESTS The two illustration journeys are replaced by three, each covering a failure that still renders a valid-looking page: the artwork actually loading (naturalWidth, not src), the crop switching at the breakpoint, a modern format winning negotiation, and the dark theme dimming it. public/brand/CREDITS.md records provenance for every asset in that folder. The hero's licence line is marked unconfirmed — that one needs the owner. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>	2026-08-14 21:36:40 +01:00
Tudor	9ee4d45a94	fix(brand): give both logo colourways one canvas so the aspect hint is right ... LogoMark derived width from a single hardcoded 153/189, taken from mark.png, while mark-on-dark.png was 98×112. Both call sites size the mark with height:100%/width:auto, so the rendered size came out right in the end — but the width/height attributes are the pre-load aspect hint, so the on-dark artwork reserved the wrong box and reflowed on load. Any future call site without that CSS would have rendered it stretched outright. Per-variant attributes would not have fixed it. variant="auto" is a single <img> whose srcset swaps the file underneath it, so one set of attributes has to serve both colourways; the only correct fix is for the two files to share a ratio. They also had different artwork ratios (0.810 against 0.833) and different padding, which the review did not reach: the logo changed size slightly whenever the OS theme flipped. Both are now written onto one 176×208 canvas with the artwork at the same height, centred, so they are drop-in swappable. Measured on the built output, header mark, before → after: light attr 31×38, rendered 30.75×38 → attr 32×38, rendered 32.15×38 dark attr 31×38, rendered 33.25×38 → attr 32×38, rendered 32.15×38 A 2.25px reflow and a cross-theme size jump both become 0.15px of rounding. The share card reads the same file and had its own hardcoded 45×56, which the re-crop would have stretched; it is now 47×56, with a comment tying it to the canvas. The comment on ASPECT records that re-cropping either file means re-normalising both. Verified: tsc clean, 159/159 tests, build green, and both files report naturalWidth 176 × naturalHeight 208 in the browser.	2026-08-08 22:39:28 +01:00
Tudor	b11ee3c8de	feat(brand): use the supplied logo artwork instead of a reconstruction ... The mark shipped so far was my SVG approximation, and it was wrong: the real mark is a teardrop pin with a white window and a path flowing out of its base, carrying three leaves — not a circle with a separate tail. Both colourways are extracted from the supplied sheet, which has a genuinely transparent background, so these are the artwork rather than a trace: public/brand/mark.png teal pin, white window and path, green leaves public/brand/mark-on-dark.png white pin with the counter knocked through Two colourways are needed, not one. Rendered against every real ground, the teal pin holds up on Warm White, white cards, Sand and both dark-theme grounds — but it vanishes on the teal footer band, where only the white window survives. The header therefore serves the teal artwork and swaps to the on-dark artwork for dark-theme viewers through a <picture> source, needing no JavaScript; the footer forces on-dark, because its band is teal in both themes. Everything downstream now derives from those two files: the favicon (app/icon.png, replacing icon.svg), the touch icon (app/apple-icon.png, replacing the generated apple-icon.tsx), the three PWA rasters, and the share card, which reads public/brand/mark.png off disk so it can never drift from the header. The logo sizing CSS keyed off a square box, which would have squashed a 153:189 artwork — height now drives and width follows. The wordmark stays live text in Manrope. The sheet's wordmark is a raster with visible edge fringing, and the written style guide specifies Manrope; live text also stays selectable, scales cleanly and recolours with the theme. KNOWN LIMITATION: the largest instance on the sheet is 153×189. That is ample for the header at 38px, the favicon and the share card, but short of the 512px PWA icon, which is upscaled and slightly soft. A vector would fix it and is a single swap — every consumer goes through components/Logo.tsx or public/brand. Verified: tsc clean, 159/159 tests, build green, /icon.png and /apple-icon.png emit as static routes, and the header, footer, share card and all five icons were rendered and inspected in both themes.	2026-08-08 22:22:58 +01:00
Tudor	39e5c11274	fix(brand): match the below-average tint to its own hue, and finish the casing ... Three review findings. --status-below-bg carried the raw --coral tuple (249,115,96) instead of the hue it belongs to (#A9481F → 169,72,31), so "below average" chips rendered a coral-pink wash behind terracotta text — the one solid/tint pair in the file whose hues disagreed. Alpha drops 0.15 → 0.12 to match --status-above-bg, so the two chips read as equal weight; left at 0.15 the darker terracotta tint takes the label to 4.45:1 on Warm White, under the 4.5 floor. At 0.12 it is 4.86:1 on cards and 4.67:1 on Warm White. Auditing the whole file for the same class of error turned up one more: --action-bg was also a --coral tint while --action is the darkened #BE3C27. It is unused today and the dark-theme value was already correct, but it is aligned so a future coral ghost button gets a matching label and ground. The five phase pairs also "mismatch" by the same test and are deliberately left alone: those pair a pastel ground (sage, sky, mustard, lavender) with a deeper text hue, which is exactly what the guideline's Chips/Tags show. The lowercase wordmark had only reached the visual chrome. Every user-visible occurrence now matches: page title and template, appleWebApp title, authors, OpenGraph and Twitter titles and siteName, the school page's siteName, the PWA manifest name and short_name, the footer copyright line, the nav's aria-label, the Web Share API strings, and the editorial paragraph. Comments in lib/*.ts and AdmissionsView still say "SchoolCompare"; they describe the codebase rather than the mark, so they are left to keep this diff to the reported problem. The comment explaining why the font classes belong on <html> still described --font-schibsted, which no longer exists. It now names --font-manrope and --font-inter, and records that the e2e typeface assertion is the only guard — this failure mode throws nothing and fails no unit test. Verified: tsc clean, 159/159 tests, build green, and the rendered title is now "School Admissions Guide | schoolcompare". Status and phase labels re-checked on their own composited tints over both light grounds — all clear AA.	2026-08-07 18:33:30 +01:00
Tudor	accc562b90	feat(brand): adopt the schoolcompare identity across the site ... Implements the supplied brand guideline: the pin-and-leaf mark, the lowercase schoolcompare wordmark, Manrope for headings and Inter for everything a person reads a number from, the deep-teal/coral/mustard/sage palette, and the rounder geometry the guideline asks for. The landing hero is rebuilt to the concept: a Sand panel carrying the proposition, the search and a trust line, with the brand landscape bleeding to the panel's right edge, followed by the four value props. Concept vs reality — where the guideline describes something this product does not have, the real feature takes its place and the decision is recorded in a code comment next to it: - The Thriving Score is not implemented. Four of its five sub-scores (pastoral, enrichment, community, facilities) have no source in DfE or Ofsted data, and its band names are Ofsted's own, which would sit beside the real Ofsted grade and be indistinguishable from it. - Guides, About, Favourites and Sign in are not added to the nav — there are no such pages and no accounts system. Rankings and Admissions, which the guideline omits, keep their places because they exist. - The fourth value prop is "Never miss a deadline" rather than "Save & revisit", which would need shortlisting. Two deviations from the supplied swatches, both forced by contrast and both confined to text and fills. Coral #F97360 under a white label measures 2.75:1 against a 4.5 floor, so --action is a darkened #BE3C27 and the original coral survives as --coral for tints, borders and illustration. Mustard #F2C94C is 1.5:1 as text, so --mustard-ink carries labels while --mustard stays exact for fills and rings. Every token clears AA on all three light grounds; Sand is the binding one, so several values sit a step darker than white alone would need. The guideline is light-only, but the site already ships a dark theme, so it is rebuilt from the same tokens rather than dropped. Verified: tsc clean, 159/159 unit tests, production build green, and the generated share card and app icon render from the new mark. The hero and the site chrome were rendered from the compiled CSS and the prerendered markup to confirm Manrope and Inter actually resolve — a font token that silently falls back has shipped here before.	2026-08-07 18:05:49 +01:00
TudorandClaude Opus 5	8ab0ac0a04	feat(design): adopt the Cohort identity — new palette, type, mark and dark theme ... Implements the direction agreed from the identity board: Route C ("Cohort") with the paper ground from C1, the Schibsted Grotesk / Literata pairing from C2, and the iris accent from C3. Dark theme is in scope from the start rather than retrofitted. The audit found three things wrong beyond taste: * No brand asset set. og:image was absent entirely, so every link shared into a class WhatsApp group rendered as a bare grey card. apple-touch-icon pointed at an SVG, which iOS ignores, and the manifest shipped no PNGs, so Android installs had no icon. The header mark and the favicon had also drifted into two different logos. * No colour discipline. --primary and --trend-down were the same coral, so the main CTA and "below average" shared a hue. 58 distinct hex values were spread across component CSS, and the chart palette was still Chart.js's stock demo colours. * A dark theme that was declared but never built — themeColor announced a dark variant with no dark styling behind it. What changed: Colour now has exactly three jobs that never borrow each other's hues: brand (iris) for interactive and identity, status (teal/amber) for above/below a comparison point, and phase for categories. Teal/amber rather than green/red keeps the above/below signal readable for every form of colour blindness. Every chromatic literal in component CSS is now a token, and the JS-painted surfaces (Chart.js, Leaflet) read the tokens through lib/theme so they follow the theme instead of ignoring it. The mark is the five-bar cohort spread — the same object as the distribution strip inside a school row, built from opacity steps so it inverts cleanly. components/Logo.tsx is the single source; the favicon, apple-icon and share card all derive from its geometry. globals.css drops 123 dead global classes left over from the vanilla-JS app (only the btn family, .skip-link and .main were still referenced), along with the noise overlay. It also gains prefers-reduced-motion support, which was missing entirely, and a type scale so the 54 ad-hoc font sizes have somewhere to converge. Verified: tsc clean, 159 unit tests pass, production build succeeds and prerenders /icon.svg, /apple-icon and /opengraph-image. Three e2e journeys added for the asset set, the themeColor/background match, and the dark theme actually repainting — all silent failures that nothing on the page reveals. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>	2026-08-06 12:13:04 +01:00
Tudor SitaruandClaude Opus 4.7	9133ecdcd4	feat(mobile): iOS polish — theme-color, safe-area, dvh, tap-highlight ... MOB-19: Add a viewport Viewport export with viewportFit: 'cover' and themeColor entries for light (#faf7f2) / dark (#1a1612), plus the appleWebApp metadata for the home-screen status bar style and title. Manifest's stale #3b82f6 theme_color updated to match brand cream. MOB-20: Apply env(safe-area-inset-*) to the sticky chrome — the top header gets max(padding, inset-left/right) so the logo and tab links clear the notch in landscape; the bottom tab bar already had inset-bottom and now also gets inset-left/right. MOB-21: Replace 100vh with 100dvh in body min-height, modal max-heights, the map view container, and the fullscreen map. Older engines fall back via the duplicated vh declaration. MOB-22: Set -webkit-tap-highlight-color: transparent on body to suppress the iOS Safari grey flash; add a generic touch-pointer :active rule (opacity 0.7) so taps still register visually on plain anchors and bare buttons. Components with their own :active styling are unaffected. Co-Authored-By: Claude Opus 4.7 <noreply@anthropic.com>	2026-05-19 09:47:13 +01:00
TudorandClaude Sonnet 4.5	19e5199443	Improve professional appearance: logo, favicon, and remove emoji icons ... 1. Added original favicon - Copied favicon.svg from original frontend - Added favicon reference to layout metadata - Professional icon with brand colors 2. Updated logo in navigation - Replaced emoji with proper SVG logo from original design - Uses circular target design with crosshairs - Matches brand identity with coral accent color 3. Removed emoji icons throughout app for professional look - Removed 📍 (location pin) from school locations - Removed 🏫 (school building) from school types - Removed 🔢 from URN labels and section headings - Kept meaningful symbols (✓, +) in buttons only - Updated map popup button color to brand coral (#e07256) Components updated: - Navigation: Professional SVG logo - HomeView: Clean location banner - SchoolDetailView: No decorative emojis in metadata - ComparisonView: Text-only school information - SchoolSearchModal: Clean school listings - LeafletMapInner: Professional map popups Result: More polished, professional appearance suitable for educational data platform Co-Authored-By: Claude Sonnet 4.5 <noreply@anthropic.com>	2026-02-02 22:34:14 +00:00
TudorandClaude Sonnet 4.5	ff7f5487e6	Complete Next.js migration with SSR and Docker deployment ... - Migrate from vanilla JavaScript SPA to Next.js 16 with App Router - Add server-side rendering for all pages (Home, Compare, Rankings) - Create individual school pages with dynamic routing (/school/[urn]) - Implement Chart.js and Leaflet map integrations - Add comprehensive SEO with sitemap, robots.txt, and JSON-LD - Set up Docker multi-service architecture (PostgreSQL, FastAPI, Next.js) - Update CI/CD pipeline to build both backend and frontend images - Fix Dockerfile to include devDependencies for TypeScript compilation - Add Jest testing configuration - Implement performance optimizations (code splitting, caching) Co-Authored-By: Claude Sonnet 4.5 <noreply@anthropic.com>	2026-02-02 20:34:35 +00:00